Current

Explore the new galleries

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Have a look at the recent galleries of authors whose works were digitized in 2014: Wojciech Zamecznik, Zofia Chomętowska, and Tadeusz Sumiński. A total of over eight thousand negatives, positives (including large format prints), and graphic design dummies have been scanned and photographed. 

The digitization is co-financed by the Ministry of Culture and National Heritage.

ALBOM.PL

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We invite you to the opening of the exhibition Albom.pl, which takes place on the January 8 (Thursday) at 7pm. The photographs, over fifty of which are presented at the show, have been collected during a 2014 research tour across seven towns: Kleszczele and Gródek in Poland, and Sapotskin, Lunna, Voupa, Vawkavysk, and Kamenets-Litovsk in Belarus. Photographers and historians from both countries took part in it.

Clément Chéroux, The Vernacular

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The Archaeology of Photography Foundation presents the first Polish translation of the book by Clément Chéroux, one of the most interesting contemporary curators and critics of photography. The book, comprising seven essays, tells the story of one of the least investigated and, at the same time, one of the richest areas of photography – applied and non-artistic photography.

Between the document and the experiment

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Karolina Ziębińska Lewandowska, Between the document and the experiment. Photography in Polish photographic periodicals 1945-1989
Anyone who was engaged or interested in photography in the times of the People’s Republic of Poland is aware of the importance of magazines, next to exhibitions. Titles such as Fotografia or Obscura were analogical to Literatura na Świecie in the field of literature or Teksty in philosophy and linguistics in that they updated their readers with the most exciting currents in Poland and abroad in their respective subject matters. 
The richly illustrated book by Karolina Ziębińska-Lewandowska presents the most interesting examples from the areas of critique and post-war photography. The author discusses the avant-garde wave after the end of WW2, conflicts over the status of socialist realism, analytical photography (‘photomedialism’), the question of abstraction in photography, the impressive growth of photoreportage, and how all of these phenomena were described. This publication fills the gap in the coverage of the Polish photography in the times of the People’s Republic of Poland. 

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